This collection of music is meant as a story in itself, each piece included for the power it has to forge a connection that needed the story to be forged. And so it was with the piece that inspired the album.
This collection of music is meant as a story in itself, each piece included for the power it has to forge a connection that needed the story to be forged. And so it was with the piece that inspired the album.
There are two words for truth in Russian: Pravda for objective truth and Ishtina for transcendental truth, that what you know but cannot explain. While Helena’s previous solo albums – with music from Janacek and Scriabin – were each in their own way quite personal to her, this time she wanted more Ishtina than Pravda. She wanted a story that was not just personal for her but representative of her. And Helena’s personal story is one of multitudes. Of departures and forgetting, discovery and loss, of glimmers of understanding, and feelings of coherence in oceans of confusing false certainties.
This collection of music is meant as a story in itself, each piece included for the power it has to forge a connection that needed the story to be forged. And so it was with the piece that inspired the album.
This album – of stories and a story in itself – is Helena’s tribute, to fairy tales and her homeland.
Label | TRPTK |
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Genre(s) | Classical – Romantic (1830-1920) Classical – Contemporary (> 1920) |
Artist(s) | Helena Basilova Maya Fridman |
Composer(s) | Bagri, Yuri Firsova, Elena Janáček, Leoš Medtner, Nikolai Myaskovsky, Nikolai Prokofiev, Sergei Schnittke, Alfred |
Recording location(s) | Muziekgebouw Eindhoven - Kleine zaal, Eindhoven (NL) |
Recording date(s) | April 2019 |
Cat. No. | TTK 0041 |
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Release date |
August 2nd, 2019 |
Additional links |
"An absolutely stunning performance with an absolutely stunning sound image, high up in a heaven of resolution."
Michel van Meersbergen, HVT Magazine
"Basilova plays the older notes beautifully mild, but the pièce de résistance is the opening movement of the first piano sonata (1987) by Alfred Schnittke. You hear beautiful resonances in the piano, like the mysterious shadow empire of a fearful fairy tale."
Guido van Oorschot, de Volkskrant
"… Basilova’s performance is characterized by a clear, concise sound with great feeling for subtle nuances in color. Take for example the opening bars of Alfred Schnittke’s first piano sonata. Just a handful of whispering tones, with which Basilova evokes mysterious vistas."
Joep Christenhusz, NRC
"The recording quality of TRPTK is – it’s starting to become tradition – brilliant."
Aart van der Wal, Opus Klassiek