Postscript

Introductio

CD

This is our introduction of both Postscript and the music of the Galant period, and with Telemann as the central theme, we’ve chosen composers who complement, match or contrast with his style.

 7,98

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About the album

This is an album of music from the Galant era, a term that covers a whole world of sins and rather than try to describe it, we’ve found some of our favourite examples and decided to present them to you here. This is our introduction of both Postscript and the music of the Galant period, and with Telemann as the central theme, we’ve chosen composers who complement, match or contrast with his style. You’ll hear his work throughout the programme, from the dark, ominous Largo of the Quartet that starts the performance to the more dance-like or lyrical pieces that follow.

Tracklist click to play/pause

  1. Quartet No. 2 in E Minor, TWV 43:e3: I. Largo Georg Philipp Telemann 3:32
  2. Quartet No. 2 in E Minor, TWV 43:e3: II. Presto Georg Philipp Telemann 1:16
  3. Quartet No. 2 in E Minor, TWV 43:e3: III. Cantabile Georg Philipp Telemann 1:52
  4. Quartet No. 2 in E Minor, TWV 43:e3: IV. Allegro Georg Philipp Telemann 1:59
  5. Concerto in G Minor, TWV 42:g2: I. Largo Georg Philipp Telemann 3:10
  6. Concerto in G Minor, TWV 42:g2: II. Vivace Georg Philipp Telemann 2:36
  7. Concerto in G Minor, TWV 42:g2: III. Soave Georg Philipp Telemann 2:35
  8. Concerto in G Minor, TWV 42:g2: IV. Vivace Georg Philipp Telemann 1:53
  9. Fantasia for solo flute No. 8 in E Minor, TWV 40:9: I. Largo Georg Philipp Telemann 2:11
  10. Fantasia for solo flute No. 8 in E Minor, TWV 40:9: II. Spirituoso Georg Philipp Telemann 1:12
  11. Fantasia for solo flute No. 8 in E Minor, TWV 40:9: III. Allegro Georg Philipp Telemann 1:08
  12. Trio sonata in E Major, Wq. 162: I. Allegretto Carl Philipp Emanuel Bach 5:48
  13. Trio sonata in E Major, Wq. 162: II. Adagio di molto Carl Philipp Emanuel Bach 3:48
  14. Trio sonata in E Major, Wq. 162: III. Allegro assai Carl Philipp Emanuel Bach 3:29
  15. Fantasia for harpsichord No. 1 in D Major, TWV 33:1: I. Allegro Georg Philipp Telemann 1:03
  16. Fantasia for harpsichord No. 1 in D Major, TWV 33:1: II. Adagio Georg Philipp Telemann 1:02
  17. Fantasia for harpsichord No. 1 in D Major, TWV 33:1: III. Allegro Georg Philipp Telemann 1:01
  18. Sonata for violoncello and basso continuo in D Major, TWV 41:D6: I. Lento Georg Philipp Telemann 1:43
  19. Sonata for violoncello and basso continuo in D Major, TWV 41:D6: II. Allegro Georg Philipp Telemann 2:08
  20. Sonata for violoncello and basso continuo in D Major, TWV 41:D6: III. Largo Georg Philipp Telemann 1:03
  21. Sonata for violoncello and basso continuo in D Major, TWV 41:D6: IV. Allegro Georg Philipp Telemann 1:58
  22. Sonata No. 2 in G Minor, Op. 28: I. Vivace Joseph Bodin de Boismortier 1:38
  23. Sonata No. 2 in G Minor, Op. 28: II. Allegro Joseph Bodin de Boismortier 1:18
  24. Sonata No. 2 in G Minor, Op. 28: III. Affettuoso Joseph Bodin de Boismortier 1:54
  25. Sonata No. 2 in G Minor, Op. 28: IV. Allegro Joseph Bodin de Boismortier 1:47
  26. Trio sonata in D Major, Op. 2: I. Arioso, ma, non troppo adagio Jakob Friedrich Kleinknecht 3:13
  27. Trio sonata in D Major, Op. 2: II. Molto allegro Jakob Friedrich Kleinknecht 3:43
  28. Trio sonata in D Major, Op. 2: III. Presto Jakob Friedrich Kleinknecht 3:17

More information

Label

TRPTK

Genre(s)

Classical – Baroque (1600-1750)

Artist(s)

Postscript

Composer(s)

Bach, Carl Philipp Emanuel
Boismortier, Joseph Bodin de
Kleinknecht, Jakob Friedrich
Telemann, Georg Philipp

Recording location(s)

Lutheran Church, Haarlem (NL)

Recording date(s)

August 2019

Recording format

PCM 352.8kHz 32bit

Cat. No.

TTK 0045

Release date

October 10th, 2019

Additional links

Download Booklet(PDF)

"All in all it’s an inspiring voyage of discovery, sublimely recorded by the engineers of the young label TRPTK"

Eddie Vetter, Klassieke Zaken

"‘We want to display our full range to you as clearly as possible.’ This is exactly what this album has to offer. But not without the keen ears and state-of-the-art equipment of TRPTK and producer Brendon Heinst. To concur: I don’t know any Baroque music recording better than this one. You’ll have to hear it to believe it."

Aart van der Wal, OpusKlassiek

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