Album cover for à Amsterdam by Postscript

à Amsterdam

Postscript

About the album

The idea to dedicate an album to music from Amsterdam, where Postscript was formed, had been on our minds for some time, but it really came into focus with the beginning of the 2020 COVID-19 pandemic. We were isolating at our respective homes in Amsterdam; however, on the rare occasions that music- making was possible, we were able to do it together, since we formed a small enough group to gather safely. The hectic travel schedules that normally shaped our lives came to a halt, and we had the opportunity to spend more time in our home city, enjoying contemplative walks in the eerily now-quiet streets. It was, therefore, quite natural to keep the theme of local exploration and to base our next musical project around the city of Amsterdam, by rediscovering a part of its history that is underappreciated by both musicians and audiences today.

We selected a number of works published (and in most cases also composed) in Amsterdam, chose Amsterdam-built instruments or copies thereof for each of us to play, and settled on a historical venue with wonderful acoustics in the heart of the city: the Waalse Kerk. As with our first CD for TRPTK, Introductio, we decided to record it live with an appreciative audience in attendance. Our hope with this recording is to take you back to 18th-century Amsterdam to get a glimpse of its diverse and lively musical life.

Tracklist

Carl Rosier

Sonata (from Pièces choisies à la manière italienne)

I. Poco allegro0:35
II. Non troppo allegro1:08
III. Più allegro1:29
IV. Canzon0:52
V. Presto1:02

Servaes de Koninck

Pieces (from Suites & Trio Sonatas, Op. 1 & 4)

Ouverture3:18
Air1:22
Plainte2:06
March0:35
Air1:46
Louis Bourbon0:16
Menuet0:40
Gigue0:34

Sybrandus van Noordt

Sonata for flute & basso continuo (from 4 Sonatas, Op. 1)

I. Vivace1:01
II. Adagio1:20
III. Allegro1:42

Conrad Friedrich Hurlebusch

Fuga in D minor (from Keyboard Works)5:36

Johann Christian Schickhardt

Sonata in D minor (from 12 Recorder Sonatas, Op. 23)

I. Adagio2:28
II. Allemanda allegro2:39
III. Vivace2:09
IV. Giga1:37
V. Gavotta presto0:51

Jacob Klein

Cello Sonata in B-flat major (from 6 Cello Sonatas, Op. 4)

I. Allegro3:17
II. Poco adagio - Poco allegro - Poco adagio3:23
III. Allegro2:54

Willem de Fesch

30 Duets, Op. 11

Air XXIV. Fanfare0:35
Air XXIII. Menuet1:15
Air XXII. Menuet1:06
Air XXI. Largo1:23
Air XIV1:01

Pietro Locatelli

Sonata in E minor (from 6 Trio Sonatas, Op. 5)

I. Largo e andante4:02
II. Allegro3:07
III. Allegro2:00

Antoine Mahaut

Trio Sonata in D major (from 6 Trio Sonatas)

I. Largo e cantabile3:47
II. Allegro2:16
III. Largo2:37
IV. Presto2:47
Total playing time1:10:36

Artists

Composers

It remains for me to report that the music on this release from the TRPTK label is an absolute enrichment for any music lover, whether from a historical point of view or repertoire or... sonic beauty.

Theo Wubbolts, FWD

They perform works by Rosier, De Koninck, Van Noordt, Schickhardt, Klein, De Fesch, Locatelli and Mahaut in an extremely musical manner and with audible dedication and musical pleasure. [...] I considered this music so interesting that I did not want to withhold these recordings from you anyway.

Maarten Seijbel, Nationaal Orgelmuseum

In sum, this is a delightful album and well worth you taking a journey of discovery with Postscript. I highly recommend the exploration. As always, the sonics captured by TRPTK founder and recording engineer, Brendon Heinst, are simply stellar. No, more than that. They are transportive. His care in making sure that he has the most accurate and timbrally natural capture of the sound heard in the recording session is obsessive. And his efforts pay off in recordings that are very often the highlight of my music listening in any given week. Kudos on this one, Brendon. It is superb.

Rushton Paul, Positive Feedback

Belogurov, he turns out to be an excellent spokesman for the ensemble, Postscript has wanted to shine the spotlight on the rich baroque tradition of the city of Amsterdam with this new album. To which I can only add that they have done so in a most musically evocative and inspiring manner. Brendon Heinst has recorded this particularly fine musicianship in an excellent manner. That is, extremely transparent and acoustically mesmerizingly depicted.

Aart van der Wal, Opus Klassiek

Credits

Producer, recording & mastering engineerBrendon Heinst
EditorHans Erblich
ArtworkBrendon HeinstJan Caspar PhilipsCornelis TroostAnonymous
PhotographyVincent van WoerkomAndrea FriggiMenno van DelftNationaal Muziekinstrumenten FondsRijksmuseum
Liner notesPostscript
GenreBaroque
InstrumentationSoloChamber
Recording dateJune 2022
Recording locationWaalse Kerk, Amsterdam (NL)
Recording formatDSD 11.2 MHz 1 bit
Mastering formatPCM 352.8 kHz 64 bit
Release dateSeptember 29, 2023
Booklet

Technical specifications

MicrophonesDPA d:dicate 4041-SPDPA d:dicate 4006AEhrlund EHR-M
Microphone preamplifiersMillennia HV-3D-8
AD/DA conversionMerging Technologies Hapi MkIIMerging Technologies AnubisGrimm Audio CC2 master clockWeiss Engineering sample rate conversion
MonitoringKEF Blade Two loudspeakersKEF LS50 Meta loudspeakersHegel H30 amplifiersHegel C55 amplifiersMySphere 3.2 headphones
CablingPurecable Optimus microphone cablesPurecable Optimus power cablesFurutech custom microphone cablesFurutech custom power cablesGrimm Audio TPR8 breakout cables
Misc.JCAT Optimo 3 DuoJCAT M12 Switch GoldJCAT NET Card XEComputer Audio Design GC3Pura Power Supplies the Sauropoda line conditioner