This album was recorded in the midst of the 2020 coronavirus pandemic, and it was especially noticeable because of the huge empty hall we recorded this in. This Is Not A Lullaby, an album by Channa Malkin (soprano) with pianist Artem Belogurov and cellist Maya Fridman, is all about motherhood. We set up our recording …
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Behind the Scenes: Recording This Is Not A Lullaby
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Behind the Scenes: Recording The Boulanger Legacy
That Merel Vercammen is constantly looking for new challenges is something she proves with her new TRPTK production, The Boulanger Legacy, a thematically curated album in which the music of Nadia Boulanger (1887-1979) and her students are the common thread. “Her influence on the music of the twentieth century has been gigantic,” Vercammen says. The …
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Behind the Scenes: Recording Dark Fire
A musical bridge between East and West, is how cellist Joachim Eijlander proposed this project – music by Saygun (Turkey), Cassadó (Spain), Tsintsadze (Georgia), and traditional music from Armenia. On a beautiful and very old gut-stringed cello played by one of our country’s top cellists. And as a bonus, lots of collaborations with other musicians, …
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Behind the Scenes: Recording The Schumann Collection, Vol. 1
We met Nicolas van Poucke at the very start of the 2020 coronavirus pandemic. A young, brilliant pianist who wanted to record a collection of Schumann’s works for solo piano (and perhaps more) with us, used this time to get reacquainted with some works he had been playing for a long while: Carnaval Op.9, Fantasiestücke …
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Behind the Scenes: Recording Obscure Atlas
Let us start off by thanking the wonderful people at TivoliVredenburg in Utrecht (NL) from the bottom of our hearts for this opportunity to record at their legendary Grote Zaal (Big Hall). It’s been a blast. When Konstantyn, Helena and Maya suggested to record Aart Strootman’s piece Obscure Atlas, and Daniel Wohl’s Microscope, two pieces …
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Behind the Scenes: Recording Silent City
Almost exactly two months ago, we found ourselves in at the start of a lockdown due to a world-wide pandemic. As the world shut down, the culture industry went with it. Concerts, recording sessions, rehearsals, everything got cancelled to try and ward this virus up from picking up steam, to flatten the curve as it …
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Behind the Scenes: Recording songs by Paul E. Gay
I just got back from this recording session and just had to write about it. It’s just been so much fun to work with these incredible musicians and composer Paul Edward Gay, who’s written songs based on poetry by Robert Frost, Emily Dickinson, and himself. On piano was Artem Belogurov (who’s already building up quite …
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Behind the Scenes: Recording Halo
The piccolo is this tiny flute with seemingly no recognition as a serious solo instrument. This is mainly due to the small amount of repertoire from it, and so flutist Ilonka Kolthof set up the Dutch Piccolo Project to promote this great yet small instrument and its amazing pallette of sounds, by commissioning composers from …
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Behind the Scenes: Recording The Zoo
What a fantastic project this has been! Violinist Merel Vercammen set out to record fully free improvisations with eight other classical and jazz artists. After listening to all of the improvisations that came from this, all sorts of animals came to her mind, hence calling the album The Zoo. Each improvisation got titled after an …
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Behind the Scenes: Recording Telemann’s 12 Fantasias for Viola da Gamba
Only a few times in your life, you’re faced with the chance of a lifetime. For me, as a recording producer as well as an early-music-lover, my chance of a lifetime was when I was asked by Ralph Rousseau to record Telemann’s recently-discovered 12 Fantasias for Viola da Gamba, that had been thought lost for …
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Behind the Scenes: Recording A Fearful Fairy Tale
Last week, we recorded Russian-Dutch pianist Helena Basilova performing a programme of beautiful fairy-tale music for solo piano (with a hint of additional cello provided by Maya Fridman). The album, titled A Fearful Fairy Tale, will be out this summer, so stay tuned! Good to be back! After such a wonderful session with Alexander Warenberg …
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Behind the Scenes: Recording Canti d’inizio e fine
This album has been a special one. Canti d’inizio e fine (“songs of the beginning and the end”), written by Maxim Shalygin, was written about the Holocaust and the circle of life and death. Each of the six movements was named after each of the ancient Jewish Angels of Death: Gabriel, Samael, Kapziel, Azrael, Abbadon …